Synthetic intelligence on the Kess Bin refinery. | Muhammad Nasreddin

In the age of artificial intelligence, many of the concepts associated with this massive revolution in the world of digitization, informatics and automation, including the concept of the concept of the world of religion, information and automation, are infiltrated into our daily lives. «Avatar.» Avatar -- this digital representation of the same or the other -- until the front we deal with the world, and sometimes with ourselves in many social networking platforms, allows Facebook users to create a cartoon-like character, used in comments, estory, conversations, and switches to a three-dimensional representation that is used to surf within the virtual 20s.

In Greek myths, Pigmaloans loved a statue that he swept in his hands, and the gods survived, the story that was found in the Book of Transformation, in the statues of a great Cypriot woman named Biggalone, was obsessed with finding unsatisfactory uniforms in the mind of the feminist, and in the eclipse of a woman.

In our time, the user makes representations from hypothetical data and images, programmed to match it or to reflect a dream that it does not find in reality, but in Arab poetry, before humanity knows the digital revolution, camera, computer or virtual reality, Kass bin Mulu invented a unique form of avatar: Leila in his heart, not walking on the ground.

Received in part X of the bookThe songs."My father has a strange story about the news of a priest, quoting her that some of his friends wanted to cure him from his madness, and they came to him with a hidden elephant. «What I need is that Lily in my heart changed this.«And the same story comes in a slightly different version inEnd of the rabbit."for the Norwegian, then. «Tell him, "This is her, my heart is looking at her and says, "God, I'm giving you the evil of these."«I'm sorry.

This wasn't cruel, it was a spectacular poetry about the death of the body in front of the immortality of the image.

With this unique genius sentence, Kass Ben has breached the limits of the traditional concept of love, and founded on the idea that self may not relate directly to the other, but through a symbolic mediator created by fantasy, as if a priest had long before the advent of enhanced reality or techniques of hypothetical reality (Virtual reality), a man does not like the other, but rather as he imagines and wants it to be.

What we have done, and what a great deal of Arab poets have been after and before (in here we remember the story of the valley of genius and poetry demons, and the ability to compare this idea with hypothetical reality), is only an advanced formulation of what we call the avatars, but the fundamental difference is that Arab poetry frees the acets from the cold technical dimension of escaping and making them more irous.

On the other hand, the digital archaeology today, no matter how spectacular it may seem, is a delightful picture of a general night in a crazy fantasy: it is conditional on data, limited by preparation, and is in the user ' s mouth instead of opening up to it as a probability. «I like names like that. Her name's approved or was from him.

I'm counting nights after night, and I've lived a day.»I'm sorry.

Today, as we make smart statues, we talk and talk, and we wear digital faces that interact with symbols and imoys, we should reflect on the experience of a priest.

If we look more closely at the Arab poetic heritage, we will find another spectacular simulation of the story of Qis, the story of the orphan poem, which will be summarized as received by Judge Ali Bin Mohsen al-Tinukh and published by the Egyptian Red Crescent magazine (J3, 14, 1 December 1905, p. 174). «One of the daughters of a great prince named Naddd, was a great poet, with a nose, and her deceit from her father met a large group of princes who would not marry but a man who had a haircut and organized poem. He considered that the poem was the highest layer of his poem, and if it came to support his response to her speech. The Devil had to kill his own man and impersonate his poem, kill him, carry the poem until he came to find it, and he went down to that prince, tell him what he had to come. His accent was conceived that it was not an inspiration, but that during the intransigence of fathers, it had been heard that her organization was an abhorrent. She spelled her father "kill this, he fought Ali" and they arrested him, questioned him, confessed.»The story, my dear reader, may appear from the fabric of popular tales, but it has a deep intellectual glance that brings us back to the middle of the twentieth century, when the British mathematics world has formulated Alan Turing what is known today as »Torring test.«He's one of the most famous concepts in artificial intelligence.

If we look more closely at the Arab poetic heritage, we will find another spectacular simulation of the story of Qis, the story of the orphan poem, which will be summarized as received by Judge Ali Bin Mohsen al-Tinukh and published by the Egyptian Red Crescent magazine (J3, 14, 1 December 1905, p. 174). «One of the daughters of a great prince named Naddd, was a great poet, with a nose, and her deceit from her father met a large group of princes who would not marry but a man who had a haircut and organized poem. He considered that the poem was the highest layer of his poem, and if it came to support his response to her speech. The Devil had to kill his own man and impersonate his poem, kill him, carry the poem until he came to find it, and he went down to that prince, tell him what he had to come. His accent was conceived that it was not an inspiration, but that during the intransigence of fathers, it had been heard that her organization was an abhorrent. She spelled her father "kill this, he fought Ali" and they arrested him, questioned him, confessed.»The story, my dear reader, may appear from the fabric of popular tales, but it has a deep intellectual glance that brings us back to the middle of the twentieth century, when the British mathematics world has formulated Alan Turing what is known today as »Torring test.«He's one of the most famous concepts in artificial intelligence.

Here the genius of the picket shows: in the story of a cortex, we find an impulsive, lethal poet with a hairy voice that does not have. The human machine (fighter) fails to test and the princess shouts in the face of a false poet: " You're a murderer on me " , not because the poem is weak, but because it fails in the true enthusiasm of its owner, and the machine of artificial intelligence today fails to write one text near the spirit of the poetry prophet, or to paint a painting that touches its blue and yellow world.

As a supporter, she performed a primitive and natural version of the Toring test, without needing programming or algorithms, but relying on instinct, taste and precise knowledge of the context, which are the tools of true governance even in today ' s artificial intelligence world.

The great paradox in the story of support is that the machine is not made of silicon, but of lies and envy, a machine that has sounded, but has not improved the role until the end. Telligence: «Robots/when they gave us the land, they give us our old skulls, you idiots, how did you invent love/how did you describe the rose?»I'm sorry.