A. Ed Ahmed Darwish
The experience of poetic schizophrenia extends for more than 40 years, and I knew it almost 30 years ago, followed his hair and evolution during these 30 years, and wrote several studies on his hair stream, the first of which was an introduction to his poetry group, which was labelled as a fourth of his cheerleading season.
This work, consisting of eight poetry groups, is almost a landmark in the process of renewal of the modern Arab poem, through its attraction to creative communication with the heritage, in exchange for another tendency to renovate the modern Arab poem in recent decades, and it is adopted by way of application or look at the flock with this heritage, and it may be in the interest of the Arab poems themselves to struggle.
The most important of these eighty-year-olds, a generation that enjoys a great deal of vigilance, independence and sorrow; especially because of the 70s who have lost their creativity as a result of the political and civilized circumstance, the unbridled attempt to extricate the morality of the national project and emigration of the world, and their experiences are only hybrid to bear.
This has necessitated the great harmony and consistency of the poem with its diverse audience, so they first had to provide a text close to the public without having to give up their own great beauty criteria, and, secondly, they had to open up the musical horizon with the home and activism, which some claimed to close, through the seizure of the rink.
These efforts have come to fruition, as we can now clearly hear the sound of this poem purely pure, both from these poets and from the next three generations, and this is not evidenced by the many contests and awards broadcast by screens and communicators with their programmes and series.
It was not only on the head of these poets, but it was before what we could call the juice of the poem, that is, presenting a contemporary poem in all its components. At the grass-roots level, we will adopt the idea of getting closer to the grasslands, using words and rhetoric on the public tongues, which are commonly exemplary.
This may leak from the delta to the builder. Our Shabish poet pays particular attention to artistic construction, intensification, logical interdependence and vertical growth of the poem, as illustrated by, for example, in its Diwan, entitled " Agreed " , in which our poet quoted the poem in the form of ancient and ancient heritage and narrative.
How does it go in and out of the hair?
It's the most spectacular question, which controls major poems, such as the House of Spirit, the Shahad, the Time, the Hair Worm, and the Lost of the Hair, and the Leap of the Worms, but it's a question that comes up in a hairy way, and dialogues with and around it, in a poetic way, and it's a blurry.
At the same level, its unique language on the part of its vast wings is shaped by the inspiration with its images and vocabulary, the lively transmission of what it was thought to be prone to ribism or penetration and, on the other hand, extends these wings to the language of daily reality in a stunning and consensual boldness, and the enlargement of the wings here confirms that those who are trying to solve their hordesclusions.
One of the fathers says the poem:
A language you know.
Every building has reached.
Referring to the relationship between the poet and his language, and to the same language as her lovers, after she realized that their souls had gone out with love and gloomy, she sought their secrets, on a journey that did not come to the discreet, nor to the delinquents, but when they received the wave that she knew, they realized that every one of them would be caught in the rain.
The poet envisions his ancient and modern culture to his hair, and demonstrates that the moment of creativity, if it reaches an appropriate temperature, in which all the elements employed by the poet can be embedded in his poems, confirming that there is no hair element of his nature, not necessarily a hairy element, but that there is a gift, a moment and a structure with which the poet is not permanent.
From every dream.
I was yelling at my right, another piece.
I'm riding her with him and praying...
Until tomorrow, his feet are Sun.
And his flaming hands covered the light of the Tower.
And this "many" conflict leaves its exact effects on the structure of the stereotypical poem, which, like the "Spiritual House" can be read from some corners as "simult" to a poet. The poet ' s poem can also be read as a poet ' s non-village, as is the term " how long " . In all cases, it is clear that the hidden correlation between the time stretch and the retrieval of consciousness, the detailed picture and the touch of the transplant feather and the unintentional dimensions of the situation is unreal.
In the inauguration of "Certificate", the poet blends into the concept of time, place, appearance and beyond.
We were on the suspended time purple in two galaxies.
Some hunt in the opposite horizon, some leisure ounces.
And some fill the cup of his energy.
And it's blown by possible stains.
This blender leads the recipient to an inspiration in the image of the one who took it and took it to waste it, but this "realistic" image is what turns into radiation approaching Sofit Tourism, to ease the sense of a poetic escape from the one-dimensional impossibility, the approach to the formulation of a cliffying and abnormality.
And when it comes to the sorrow of the sorrow, it doesn't seem like the sorrow of the sorrow, but when it comes to questioning how many, twenty, thirty or less.
The fact that the light poet controls on the secrets of the hairy rhythm appears to be interesting and admirable at a time when most of the rhythms are ignorable, and it appears to be difficult to achieve in the absence of these same disciplines, and we are gathered here by using a silo of different hairs, whether they are of the same activation as the whole and the closest.
But it is more admirable that this commitment is made without restricting the poet ' s movement to resort to many good techniques in building his poems, such as dialogue, combining time and consciousness, exploiting many technical means to build a multidimensional image, sometimes resorting to a detailed image of the individual, and then combining the opposite.
