Dr. Osama Taj Al-Sar
A poet and an academic Sudanese.
In the night, deep, in the woods, hypocritical.
If it's time, I'll swallow it.
If the thunder tears up, hear me out.
In that deep, why did he hear it?
If the rat with the sides is released,
Minimal than he has.
Stay in his chest as his cup.
My drowning, the mother of the stars is frustrated.
Life diminishes her world.
As the stranger misplaces him.
The Sudanese poet only mentions the presence of Tajis Yusuf Bashir (1912-1937m) in its entirety, at a young age of 25 years.
If Mohamed Saeed Al-Abbassi (1880m-1963) is the renaissance of the Sudanese hair, and he is moved away from the blind tradition, scattering and sewing the hair into a live hair and its ignorant identity, with Sudanese richness, culture, environment and civilization, the characters of the Sudan are made to refresh the hair.
General overview of the Diwan and its impact:
Starting from this angle, with the biggest influence on the Yusuf Bashir Tajian project, where the offer did not have an external framework of hair, it was his spirit and his face, it was the one that controlled the meanings, imagination and language. When the tyre was broadened, the tyre would erode hair and wax, and when the poet was lost to engage with his meanings. It surrounds the poet ' s idea to brief the fence with the wrist, if the swordsman were torn up and lost their value.
If the Arab poet is the most self-sufficient, it drives the poet to choose the fine weights that are clear to the tune, and is reserved for the lakes: (flue, simple, complete, empty, sand, converging). They are more circumcised in Arab hair than others, if we add them light, which at the same time consecrates and discrepancies, only collects two weeks of the sex of these weights (reactors and excision), not as in the arrogant.
In its late editions, the Shadows and the Shadows, together with the Smurfs, will add two strings, one of the smelters, and one of them will be caught in the open.
The suspect ' s circle has accounted for a large number of natural hairs, through four seafarers: light (three poems), speed (five poems), massage (five poems) and brothels (four poems), which is more than half the number of poems, with 62% of the total poems in the circuit.
Tajini language and mineral wealth:
When we look at Efraqa, we find the language of the trade accurate and concise, if we we weigh it with the nature of the lake, it is the oxygen with the light tone, which explains the smallest poems with the bell, which appear through the sea of the simpler, the whole, the blooms, the closest, the longest, and the lighter, and the brush. This leads us to say: offers are intellectually linguistically significant, not just weight, rhythm and an external framework, which is the example of nude meanings before they scatter.
Language and mine:
And the brightest glance of the past, is the craving of knowledge, through many of the vocal vocabularys of its time, so that you feel that it belonged to this very recent era, and that his vocabulary, my father, my father, and my own father, were more modern than his adorable glory.
Whenever he came to go, the bloomed blossom in his hands, his apartment.
It is a great deal of rhythm in curiosity, repetitively and shamefully in the face of beauty.
He says in a poem entitled (God):
I fell out of my hands, and I opened up a start for the first things.
He combined two descriptions of the desert by saying:
I empty it, and despite me, it slipped as white as the soul in a black trap.
And how I've been sleeping with him, and I've changed the shadow of a trap.
The description of Niles follows:
Filling your valleys is fun with the flooding walls of yours.
In the description of Nile speed, he says:
Maybe life slides on the valley, and it's in the canal.
It's like he introduced sound effects like the the theater, when he wanted to describe the Mahdi of the Revolution, by keeping the letters and repeating them in the vocabulary, so you could hear the wind in the Shatty nights, when he said at the beginning of the poem:
In an applicable tidy day and a round-up night.
You may have noticed that the most recent evidence came from poems of the light sea, and the recycling was all colonizing them, one of the most important features of the way that the poet was able to think.
Exchange and derivative boldness:
The poet ' s language is complete only on a purely spontaneous basis, and most particularly its image comes from derivatives. It is on its soil, and it is free from its contemporary circles, but it is true, it comes to meanings that may not be performed by other formulas. We often change the suspicious character to the name of the perpetrator, finding in his hair derivatives such as:
And agree, Neil, of you, to sing a tea from your goddess.
He said:
I'd like to be in childhood, like, 200 if I'd ever heard of young people.
So you hear him say:
They said, "burn him, crucify him, but slide to the wind with his bone obsessiveness and flame."
And we conclude all by saying:
Do your monsters in the row between a dean and a sacrament.
From his wounds in this direction to God, Alhi says, to make the exact difference between the ratios to one God, the multiple gods, especially when the Romantic curriculum overwhelmed his hair, and every Alhey in his hair is of beauty, and for so much he came in his hair, to think he'd say, "This is so sweet!"
Intellectualism: between philosophy and characterization
Tajini Yusuf Bashir took part in philosophy and description, the two most important intellectual features of the religion, both of which confirmed their minds of meditation and reluctance, far from rushing and speeding, which, in addition, coincides with the nature of the spinal tranquillity in his hair, and makes him obliviously oblivious to the sorms.
The most common sense of humiliation in the secret of this existence, between pure faith and the doubt that enthusiasses the sense of the bird from the water of the ash! To further this aspect, we are referred to his poems (God, I bid my yesterday, my complaint hurts, Hair, the tortured Sophie).
It says:
And he's going to collect port ruins.
A stripper from whom his kindness is.
Until the Stone Mountain came in with him.
I'm sorry.
And between the twins, the egg rolled.
Screaming in the ground from the depths of his debt:
In the secret place of my debts, I'm glad.
For real, I'm looking out for him.
Here's the truth on my side, here's a quote.
From heaven in my heart, here is God.
